摘要
四川民居,是四川地区数量最多的现存传统建筑。文章通过工匠访谈、建筑调研及施工现场考察,介绍了四川民居中的柱子画墨与榫眼讨签两种建造工艺,意在通过分析这两种工艺的原理及工序,洞悉工匠制作和施工中的设计思维与意识。
It is the vernacular that has the biggest share in existing traditional architecture in Sichuan. Based upon interviews of carpenters, researches of existing buildings and investigations atconstruction sites, this paper is attempted to expatriate on huamo(ink-marking) and taoqian(mortice-probing), two technics typical of Sichuan folk houses. As the principles and procedures are fully analyzed, an insight is brought into the latent design thinking and consciousness reflected in the carpenters' ways through timber-processing and construction
出处
《遗产与保护研究》
2017年第2期141-147,共7页
Research on Heritages and Preservation
关键词
四川民居
柱子画墨
榫眼讨签
设计思维与意识
vernacular Sichuan architecture
Huamo(ink-marking)upon pillars
Taoqian(mortise-probing)
design thinking and consciousness