中国传统藏书楼及园林的范式演变研究——从“嫏嬛福地”到“天一阁”

The Paradigm Evolution of Chinese Libraries and Gardens——From “Langhuan Fudi”(the Blessing Land of Langhuan) to “Tianyi Ge”

元代小说中的西晋石室藏书之地"嫏嬛福地",这个来自于经典母题"桃花源记"的名称在明清时候被文人知识分子用作其藏书楼的命名,以及文学、绘画以及园林营造等领域。晚明造园家张岱拾得并发扬至其文学和园林的构想实践。道教概念在园林建筑和绘画的表达在清代的藏书家完颜麟庆的北京所造"半亩园"后又达到了一个高峰。文章通过对"嫏嬛福地"相关的园林假山的讨论,对现存明代建筑遗产"天一阁"的园林环境进行考察,引出了"嫏嬛福地"在"四库七阁"藏书楼建筑实践中隐藏的线索。

A place, "Langhuan Fudi" which related to the Stonehouse for book storage was founded in a novel of Yuan dynasty, this classical motif "Tao hua yuan ji" was used as the libraries' names, also in the literature, painting and garden areas. It was used as concept of literature and garden imagination by the scholars of Late-Ming dynasty such as Zhang Dai. The buildings and drawings of this Taoist concept became another peak that shown as the famous heritage "Half-acre Garden" in Qing dynasty. According to the discussion of the rockery landscape of "Langhuan Fudi", author became to research the environment constructions of the architecture heritage "Tianyi Ge" which built in Ming dynasty, the Hidden clues of "Langhuan Fudi" in the buildings of "SikuQige" will up to the surface.