明清两代旋子彩画结构的比较研究——以北京地区明清古建旋子彩画为例

A Comparative Research of the Two Generation of Xuanzi Colored Painting in Ming and Qing Dynasties——Taking Xuanzi Colored Painting of Ancient Architectural Sitse in Beijing as an Example

明清两代的官式建筑彩画是迄今为止保存最为完整的中国传统木构建筑装饰体系,其设计实例为研究中国古建装饰的演变提供了重要的依据。文章从明清官式建筑中的旋子彩画入手,通过对北京地区多座明清古建筑遗址上的旋子彩画进行实地考察和调研,分别对明清两代的旋子彩画的构图结构与纹饰特征进行了比较,从共性中找出差异,得出分析结论。从而可对不同历史时期的古建维护与复建做到有的放矢,促进中国传统文化遗产的继承和发展。

The official architectural paintings of the Ming and Qing Dynasties are the most complete preserved traditional Chinese wooden architectural decoration system. The design examples provide an important basis for studying the evolution of Chinese ancient architectural decoration. Starting with the Xuanzi Colored Painting in official buildings of Ming and Qing Dynasties, this paper conducts a field investigation and investigation compares and contrasts the composition structure and decorative features of the Xuanzi Colored Painting in Ming and Qing Dynasties,in order to find out the differences and commonness, and draws an analysis conclusion.Therefore, it can be targeted in the maintenance and reconstruction of ancient buildings in different historical periods, and promote the inheritance and development of Chinese traditional cultural heritage.