毛泽东美学思想初探

The Exploration of Mao Zedong’s Aesthetic Minds

青年毛泽东崇尚运动、赞赏"抵抗",强调"善恶相竞";以人生、世界、宇宙为审美对象,追求伟美、崇高、豪放、壮观的审美感受。在艰苦的革命斗争中,马克思主义者毛泽东却能领略到一种最有价值的美--崇高,并逐渐形成和发展了以辩证唯物主义的认识论为主导的革命功利主义美学观。和平建设时期,他提出了"百花齐放、百家争鸣"的方针和文艺上"两结合"的创作方法;后期,承认"各个阶级有各个阶级的美;各个阶级也有共同的美"。他还肯定了形象思维在文艺创作中的重要作用。

Young Mao Zedong upheld sports, appreciated resistance and focused the fight between goodness and evil. He took life, world and universe as the aesthetic targets, pursued aesthetic feelings of greatness, generiosity and magnificance. He could feel the most valuable beauty-greatness, in the hard revolutionary days, and built and developed the revolutionary utilitarianism aesthecticism led by the materialist dialectical thinking. In the peaceful construction period, he put forward the policy of a hundred viewpoints contending and double-combination policy in art design. In the later period, he not only admitted each class had its own beauty, while each class shared the same beauty,but also admitted the importance of the image thinking in art design.