多重语境孕育出的“宁馨儿”——路翎20世纪40年代小说审美风格成因初探

Vignettes Created by Multi-literary Factors——A Tentative Study on Cause of Aesthetic Style in Lu Ling’s 1940s Novels

路翎20世纪40年代小说呈现出"悲""狂"审美风格,既源于路翎青年个性的影响,也带有"五四"鲁迅传统的印痕;既有时代风云浓墨重彩的,染,也有流派风格潜移默化的推动;既有西欧自由主义思潮的催生,也是俄苏爱国主义思潮的促成。多重文学语境的共同作用使小说呈现出既听命于时代又执着于个人,既带有浓厚的政治意识形态色彩又坚守艺术阵地,既狂躁突兀又悲壮苍凉的特征。复杂特征的呈现使得路翎这一时期的小说创作在20世纪中国文学史上成为一种醒目的存在,留下了富有启示性的经验和教训。

Luling’s novels in the 1940s present an artistic style of "sorrow" and "wildness",which came from a resultant force of multi-literary factors.It was affected by Luling’s individual personality as well as Lu Xun’s literary style shaped in May Fourth Movement.In addition,his vignettes reflect drastically changing times,marked by features of different literary schools.His ideology was not only influenced by liberalism and individualism from Western Europe but also by patriotism and humanism from Soviet Union.Multi-literary factors resulted in the peculiarity of his novels:his fictions are full of tone of fatalism and individualism,adhering to a strong ideological stand with a rare fidelity to beauty.His writings are combinations of wildness and trenchancy,bleakness and verve.This contradictory presentation in his 1940s novels made his creation striking and impressive in 20 century modern literature,leaving the followers with controversial remarks and enlightening lessens.