摘要
"意象油画"是近年新兴的对于"油画民族化"的中国式称谓,在探索与发展中应该多面性的继承传统,对西方油画语言进行同构与创新。不能简单的以一种风格或是流派来对待,它是中华民族优秀传统的继承和对西方文化民族化的同构,更是以一种现代文明的方式向前发展的绘画形式。它应该肩负起中华民族人文主义复兴的重任,代表一种前沿力量传播人文主义思想和个人自由精神。
"Image Oil Painting" has been the Chinese appellation for "The Nationalization of Oil Painting" in recent years. In the exploration and development, Western oil panting language structure and innovation should be multifaceted inherited, not simply a style or genre. She is the Chinese traditional inheritance and cultural nationalization of the Western isomorphism. Moreover it is a modern civilized ways to advance the painting form. She should shoulder the responsibility of Chinese humanistic revival represent a frontier force transmission of humanism and individual freedom.
出处
《山东英才学院学报》
2012年第4期39-41,共3页
Journal of Shandong Yingcai University
关键词
意象油画
继承
创新
文艺复兴实践
image oil painting
inheritance
innovation
renaissance practice