从王朔作品看第三代京味文学的兴起与式微

The rise and disappearance of the third-generation Beijing-style literature based on Wang Shuo's works

"京味文学"特指以北京的人事风物为叙述主体,蕴含着北京文化的神采与风韵的文学样式。上世纪八十年代末到九十年代初期,以王朔为代表的"新京味"文学作家接过第三代京味文学的大旗,并且随着"王朔"神话使其达到顶峰。然而,王朔笔下的"顽主群像"与"活的写作语言"都有其特定的时代文化背景,王朔的黑色幽默必然会随时代见光而失去其以往的神韵,第三代京味文学也必然会随着社会发展走向式微。

Bejing-style refers to the literary style of containing the characteristics of Beijing culture with Beijingers and their stories as the main narrative body. In the early 1990,the ' new Beijing-style' literary writers typical of Wang Shuo carried the flag of the third-generation Beijing-style literature and came to the peak with Wang Shuo's works. The ' portraits of hooligans' and lively writing language under the pen of Wang Shuo had the particular times background. His black humor lost its charm with the times and the third-generation Beijing-style literature came to an end.