摘要
庄子的死亡观集中体现在生命相对论,自然本体论和精神超越论三个层面。其美学思想是在人向自然生成的动态过程中,以"道"和"德"两个美学范畴为基础,借助精神外在和内在无限超越的双向统一,建构超越时空有限性的美学死亡观,使死亡的忧惧感化为精神的至乐感,回归"道"体的本原状态。
ChuangTze's death concept concentrates on three aspects:life relativity,natural ontology and spiritual transcent.His aesthetic idea is to create aesthetic death idea beyond limited time and space through the double conformity between interior and exterior spirit,which is based on two aesthetic conceptions called'dao'and 'de'in the course of being transformed into natural existence,so that the tragic sensation is turned into spiritually supreme happiness to return to the 'dao''s originity.
出处
《平顶山师专学报》
2003年第6期19-22,共4页
Journal of Pingdingshan Teachers College
关键词
庄子
死亡观
美学价值
Chuang Tze
death concept
aesthetic value
