摘要
小说《花腔》巧取现代史上一件极富时代色彩的事件,采用三段论的叙事手法,即小说真正的主人公葛任隐退在话语背后,而由熟悉葛任的三个当事人以不同的叙述话语建构葛任的历史,恰如一场没有主人的宴会。这种变单声宏观历史话语为多声个体对话及"学术考证"的叙事方式使读者获得了全新的阅读感受。
The novel,HuaQiang,adopting an event with its own characteristics of that time,uses three-stage technique to narrate the story,that is,the writer makes the hero stand behind the dialogue and speak no words.Nevertheless the writer lets three other characters who are,familiar with Ge Ren to develop the narration.Therefore the novel is like a feast without a host.This technique of story-telling makes story-narrating with single character activity become a complex scene with multi-characters'behavior,and thus a tridimensional effect emerges.
出处
《平顶山师专学报》
2003年第6期33-35,共3页
Journal of Pingdingshan Teachers College
关键词
李洱
《花腔》
三段论叙事
Li Er
HuaQiang
Three-stage technique of story-telling