摘要
琵琶协奏曲《祝福》是著名作曲家赵季平先生以鲁迅同名小说《祝福》为创作源头,根据秦腔《祝福》的音乐动机所作的一首琵琶曲。全曲共分三个乐章,深刻地描绘了封建社会祥林嫂的悲惨命运,强烈表现了祥林嫂对不平生活的呐喊和挣扎,充分揭示了封建礼教对劳动妇女的残酷压榨。乐曲以音乐的形式重新刻画了祥林嫂这个旧社会妇女的典型形象,借鉴了协奏曲这种表现形式,把琵琶与乐队有机地结合在一起,通过乐队营造的恢弘气势,给听众创造一个丰富的听觉空间,利用祥林嫂这个早已植入人们心中的艺术形象,达到与听众心灵相通的艺术效果。本文通过对《祝福》背景的介绍、乐曲的简单分析及本人演奏此曲的感想,意图展现以音乐的创作手法所表现出的文学形象。
Pipa concerto 'Blessing' was composed by the famous composer,Zhao Jiping,who composed it according to the novel 'Blessing'(written by Lu Xun) and shaanxi opera 'Blessing'.The musical composition has three movements,it describes Mrs.Xianglin' s tragic fate,performances Mrs.Xianglin' s screaming and struggling on the uneven life,reveals the feudal ethics brutalizing to working women.The musical composition describes the typical female image in the old society,conjoins pipa and the band by borrowing concerto, creates a rich auditory space to audiences through a momentum created by the band,and achieve a resonance with audiences using the image of art,Mrs.Xianglin who had already implanted in people's minds. This essay intents to show a literary image by means of introducing the background of 'Blessing',analyse the music composition and think about performing the music by the author.