摘要
木心所接受的教养,在其艺术中体现为一个中西文化集成的"精神血统",这在其"美学流亡"中被反复唤醒。他所感受到的文化衰落的废墟感,经过尼采式的美学智慧的转化,生成出"第二重意义",进而把握到了一种艺术的空隙。面对文化的废墟,他将艺术的教养理解为一种"回忆式的运作",其文学风格也以同样的文化整体性的方式运作。这也导致了木心其人与其文学的一元性。
The education Muxin has received in his art is a Spiritual Lineage integrated from Eastern and Western culure,that have been repeatedly awakened during his aesthetic exile. The sense of ruins he felt,convert into The Second Meaning through Nietzschean wisdom. From this perspective,Muxin regard the education of art as "Flowing as Remembrance",with which his literary style also being regarded as flowing of cultural wholeness. That results the the consistency of Muxin and his literary.
出处
《中山大学研究生学刊(社会科学版)》
2017年第3期81-90,共10页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)
关键词
木心
废墟
回忆
Muxin
Ruins
Remembrance