表演框架视域下的传记电影研究

Looking at Film Biography from the Perspective of Performance Framework

传记电影包含真实传主和真实史料的运用,始终在真实/虚构问题上难以厘清。借助表演民族志研究中的'表演框架'理论,可区分传记电影所涉及的共时语境、虚构情境和历史语境,并明确显性及隐性讲述者,这二者在构成故事情境和讲述历史真实两种不同的表演任务中寻求统一。本文研究传记电影中各表演主体的交往互动,探索传记电影的创作、研究范式如何由'文本性'转向'表演性'。

Film biography incurs the arrangement of biographical subjects and historical materials.This often faces problems of fact and fiction.The notion of'Performance Framework'in the study of performance ethnography distinguishes the synchronic context,fictional situation and historical context involved in film biographies,making clear the explicit and implicit narrators,which seek unity in the two different performance tasks of constructing the story context and telling the historical truth.This paper studies the interaction between different actors in film biographies and explores how the creation and research paradigm of biopics shifts from'textuality'to'performativity'.