女性主义电影中女性知识分子的媒介书写——基于《汉娜·阿伦特》和《黄金时代》的比较

Female Intellectuals’ Media Writing in Feminist Films:A Comparative Analysis between Hannah Arendt and The Golden Era

探究女性主义电影中对东西方女性知识分子媒介书写的异同,有助于揭示女性主义在东西方的媒介实践状况。文章以传记电影《汉娜·阿伦特》和《黄金时代》为例进行比较研究。导演通过女性版的'智者受难'、性别文化话语权的互补以及公共领域的社会参与来彰显女性主体性在社会文化中的崛起。但在实践中,两者在媒介书写形式与主体建构方面存在着一定差异。中国女性主义电影的创新与发展需要媒介实践者精确把握其文化共性,并进行差异化呈现用以提升文化影响力。

Exploring the similarities and differences of the media writing of female intellectuals in feminist movies will help reveal the current situation of feminist media practice in both East and West.This study is a comparative study of Hannah Arendt and The Golden Era in female biographies.Directors highlighted the rise of female subjectivity in social culture,through'the wise women’s suffering',the complementarity of the right to speak of gender and culture,and the social participation in the public domain.However there are differences between superficial forms and deep subjective content construction in the process of their media writing.Media practitioners should accurately master the common features of feminist culture and present differentiation,in order to innovate and develop Chinese feminist films.