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论艺术语言与发话主体内觉体验的关系 被引量:1

Relationship between artistic language and inner experience of speaking subjects
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摘要 艺术语言的创造,是发话主体由于情感的原因所产生的内觉体验的反应,艺术语言的内觉体验,是最原始的、最本真的,也是发话主体"立象以尽意"具体体象,艺术语言之象不是自然之象,而是发话主体内体验之象,即心理之象,艺术语言是变异化的言语,言语形式上超越语法,但合内觉体验之法,所以艺术语言给人以"如入桃源",或置身于"极乐世界",给人以新颖、别致,具有很大的表现力。 The creation of artistic language means the reaction of the inner experience of speaking subjects induced by emotions.The inner experience of artistic language is the most primitive and the most truthful as well as the concrete embodiment of the speaking subject’s using the image to express the meaning.The image of artistic language is not a natural phenomenon,but the image of speaking subject’s inner experience,or the mental image.Artistic language is a language variant that transcends grammar but accords with the rule of inner experience.That is why artistic language which is novel,unique and expressive gives people a feeling of entering 'an idyllic land of peach-blossom spring' or 'a paradise of the world'。
作者 太琼娥 TAI Qiong-e(School of International Languages and Cultures,Yunnan University of Finance and Economics,Kunming 650092,China)
出处 《云南师范大学学报(对外汉语教学与研究版)》 2019年第2期55-60,共6页 Journal of Yunnan Normal University(Teaching & Studying Chinese as a Foreign Language Edition)
关键词 艺术语言 内觉体验 变异审美 超越语法 artistic language inner experience aesthetic evaluation in variation transcendence of grammar
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