摘要
仅仅以“回归文学本体”的视野考察中国新文学史的构成 ,是难以揭示其本真面貌的 ,只有与“社会—历史批评”模式相结合 ,方可认清新文学史的个性主义、民族主义和马克思主义三大社会文化思潮与多次历史变革双重叠影的复杂结构形态。
Inspecting the structure of China's history of new literature only within the vision of 'returning to the literary noumenon', it is difficult to reveal its true nature. Only by combining with the mode of 'socio-historical criticism', can the complicated structural modes of a double-layer scene of three social and cultural trends of individualism, nationalism and Marxism and many social changes be discerned.
出处
《理论学刊》
CSSCI
北大核心
2003年第6期136-140,共5页
Theory Journal
关键词
新文学史
文化思潮
历史变革
双重叠影
history of new literature
cultural trend
historical changes
double-layer scene