摘要
青金石是一种带有强烈异域色彩的物质,并与佛教艺术有着解不开的"因缘"。在中国早期的宗教壁画中,经常可以看到青金石颜料的使用。不过到了唐代,青金石的使用开始明显减少,这一现象的产生是民族色彩心理对外来色彩结构进行文化选择的结果,是本土色彩观念对外来宗教色彩观念的胜利,也是唐代世俗精神的一种视觉呈现。
Lapis lazuli is a substance with strong exotic features, and is closely linked with the Buddhist art. In the early religious murals of China, lapis lazuli is usually used as a pigment. However, in the Tang Dynasty, the use of lapis lazuli in art activities decreased significantly. This phenomenon reflected the victory of Chinese traditional color concept, and it is also a visual presentation of the secular spirit in the Tang Dynasty.
基金
华侨大学科研基金资助项目
关键词
青金石
唐代艺术
色彩心理
色彩象征
Lapis lazuli, Fine arts of the Tang Dynasty, Color Psychology, Color symbolism
