摘要
哲学是时代的灵魂,反映时代的内在脉搏。而艺术思潮反映哲学,且每个时代的艺术思潮都不一样:楚汉时期的是反映事物、行动;魏晋时期反映的是精神思辨;唐宋时期是襟怀、意绪;明清时期是世俗人情。文章通过由楚汉文化、玄学、佛教、程朱理学、市民文艺、清代文化引发的艺术思潮与服饰风格的直接或间接的联系得出每个时代的服饰风格或多或少要受到艺术思潮的影响。有什么样的内在,就有什么样的外化。
Philosophy is soul and pulse of an age, and the art style has been reflected philosophy. However, they are all different. It is things, active in Chu and Han Dynasties; sprit, theology in Six Dynasties; generous, thought during Tang and Song Dynasties; secular human means during the Ming and Qing Dynasties. In this paper, the conclusion is that the artistic trend resulted by the culture of Chu and Han, Metaphysics, Buddhism, Neo-Confucianism of Cheng brothers and Zhu Xi, Townspeople culture, and the culture in Qing Dynasty have direct or indirect link to the style of dress and personal adornment. In a word, intrinsic decides extrinsic.
