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探索面孔在摄影艺术中的存在方式

Study on the Existent Methods of Face in the Photographic Art
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摘要 摄影的产生在经历过存在再现影像后赋予了它更重要的意义。"摄影不应当仅仅为了美,而应有一个社会目的。要表现那些应予赞美的东西,也要表现那些应予纠正的东西。"摄影中面孔的记录对我们来说非常常见,无论是在摄影之初以一种最平实的真实视角还是摄影发展过程中转变成从面孔上来表现自我意识,都是需要我们今天来重视和总结的。我们每天面对着太多的无来由的面孔图片,希望从这些面孔上得到什么呢?是纯粹的记录?是真实再现?是美化生活?还是来自内心? Photography is given greater significance after it experienced the existence, reproduction and image. 'Photography should not express beauty only, but should have a social purpose. Not only to performance those things that should be praised, but also that should be corrected.' The record the faces in photography is very common for us. Whether it recorded oneself with a natural real perspective at the beginning of photography or it is converted to face to performance self-awareness in photographic development process, which need us to attention and summarize in nowadays. Every day we face a lot of facial pictures with idle reason. What do we get from these faces? It is a pure record? Or a true reproduction? It beautifies the living? Or it is from the heart?
作者 马莹
出处 《艺术与设计(理论版)》 2013年第7X期127-129,共3页 Art and Design
关键词 面孔 存在 死亡 真实 Face, Exist, Death, Reality
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