陈洪绶水浒人物绘画以及对日本水浒绘画的影响

The Influence of Chen Hongshou's Figure illustrations to Water Margin on Japanese's Figure illustrations to Water Margin

中国明代小说版画盛行,随着《水浒传》传入日本,引起江户的水浒热潮。日、中两国艺术家各个时期都绘制了各种类型的水浒绘画,其明代陈洪绶的《水浒叶子》属于水浒人物绘画的巅峰之作。文章阐述陈洪绶的水浒人物绘画对明清水浒插图以及日本江户各版本水浒插图的影响。日本浮世绘师在借鉴学习陈洪绶的水浒人物绘画的同时,将其绘画思想也融入到浮世绘的创作当中,顺应民众审美,影响深远。

In the Ming Dynasty, figure illustration to fictions became popular. After Water Margin was introduced into Japan, it soon enjoyed huge popularity in Tokyo. Artists from both China and Japan painted different kinds of illustrations to this book. Among them, the Water Margin Leaves painted by Chen Hongshou in Ming Dynasty was the masterpieces.This paper introduces the influence of Chen Hongshou's figure illustrations to Water Margin on Japanese's figure illustrations of different versions to Water Margin. The Ukiyoe artists, after learning from figure illustration style of Chen Hongshou, integrated their opinions into the creation of Ukiyoe. As a kind of public aesthetic preference, it had profound influence.