从“跨界”的水墨实验看新媒介语境下中国当代美术创作生态

The Contemporary Chinese Art Creation Ecology in New Media Context, The Discussion from the “Crossover” Watery Ink Experiment

中国当代美术在进入新媒介语境中,传统创作模式和新媒介、新观念的彰合日新月异,但在美术创作和新媒介相结合的过程中,艺术家亟待客观看待新媒介的作用,并全面认知在此语境中当代美术创作的生态,本文从水墨实验的跨界现象为出发点,从创作者的心理机制、美术作品本体的可持续发展、以及发展过程中面临的困惑和问题等角度对新媒介环境下中国当代美术的创作生态进行分析,对当下美术实践对新媒介的牵强运用予以批判,以期对当代美术创作实践作出正确解读和理论指导。

In the context of new media, the contemporary Chinese art is facing to a serious circumstance. The traditional creation mode is challenged by new ideas and new media. Artists should treat the new media objectively and give the thorough understanding to the contemporary art creation ecology. The paper bases on the phenomenon of the 'cross-border' of the watery ink experiment, analyses the ecology of modern art creation and criticizes the reluctant use to the new media.