摘要
在中西文化的碰撞融合下,陶艺设计走出了传统守旧的迷茫,却也面临本土文化精神的迷失。深入探研传统绘画意象审美的民族特质与文化内涵,并应用于陶瓷绘画教学,是文化多元时代更高层次的审美需求,也是陶瓷绘画教学顺应时代发展的必然趋势。
With the cultural exchange and fusion of Eastern and Western cultures, the ceramic art design has stepped out of the traditional and conservative confusion. Thereafter, however, it encounters the loss of the spirit of local culture. So, a further exploration and research on the ethnic characteristics and cultural connotations of the imagery aesthetics in the traditional painting is necessary for a higher level of aesthetics in the today's multicultural era and is an irresistible trend to ensure the teaching of ceramic painting in keeping up with the development of times.
关键词
意象审美
陶瓷绘画
传统绘画
Imagery Aesthetics,Ceramic Painting,Traditional Painting