简述摄影与日常美学的关系一二

Briefly Describe the Relationship between Photography and Everyday Aesthetics

因为其机械复制性和取材的日常化,摄影曾经不被认可是艺术。确实,摄影与传统艺术相比而言有他异性,表现在更加大众化和普遍存在,它让艺术走下了神坛,成为了人人都可以"触碰"的领域。而日常美学则某种程度上将审美体验带出了纯艺术的讨论范围,越来越多的人认为美感不应该与日常生活割裂开来。文章从当代西方形式主义美学家克莱夫贝尔出发,以业余摄影、艺术摄影非艺术摄影等为分析对象,简述摄影的日常生活美学的转变。

Photography was once not recognized as art,because of its mechanical reproduction and the subject matter is often daily life.Indeed,photography is more alterity than traditional art.It has made art go down from the pedestal and become more democratic.The daily aesthetics brings the aesthetic experience to a certain extent out of pure art.More and more people think that aesthetic should not be separated from daily life and emotion.This article starts from Clive Bell who is the contemporary western formalist aesthetician,and takes amateur photography,art photography and non-art photography as the analysis objects,and briefly describes the transformation of daily life aesthetics of photography.