摘要
由杜尚所开创的'现成品'艺术不仅开拓了艺术实践的现实疆域,也促进了艺术批评与理论的深化和范式变革。文章从杜尚的'现成品'实践方式的分析展开,通过对艺术史上重要潮流和个案的梳理及其方式、样态、诉求和产生机制的比较分析,归纳'现成品'艺术实践在20世纪艺术激变的历史中所呈现出来的主要倾向,讨论其间'现成品'内涵与外延的扩展乃至概念的消解,以此揭示西方现当代艺术中关于'物品'的美学态度和观念变迁。
The'ready-made'art created by duchamp not only expands the realistic territory of art practice,but also promotes the deepening of art criticism and theory and the change of paradigm.This article from the'ready-made'practice of duchamp’s analysis,through to the important trend of the history of art and case of carding and way,shape,and comparative analysis on generation mechanism,summarized'ready-made'art practice in order to art in the 20 th century to the history,the main tendency manifested discussion during which'ready-made'connotation and denotation of the concept of extension and digestion,to reveal the western modern and contemporary art in aesthetic attitudes and ideas about'items'.
作者
熊言钧
Xiong Yanjun(Academy of Fine Arts,Anhui Normal University,Wuhu 241002,China)
