浅谈传统敦煌色彩在现代室内纺织品设计中的运用

On the Application of Traditional Dunhuang Color in Modern Interior Textile Design

敦煌艺术是西域与中原在佛教文化上经过了漫长的历史融合所得到的产物,其色彩经过了几代敦煌艺术家的推敲与整合,慢慢形成了一个较为完整的色彩体系,不仅表现了佛国的壮丽景象,也体现了传统中国人低调而不失浪漫的审美情怀。敦煌色彩经常出现在当时的室内纺织品中,体现了中国式的审美与生活情趣。敦煌色彩虽然美丽,但是由于现代中国社会物质文化迅速发展,甚至出现了与精神文化发展脱节的情况,导致在当代室内纺织品设计中,敦煌色彩常常得不到妥善的运用,实现现代化和时尚化并不容易。因此,文章以'新中国风'和'后现代主义风格'两种流行的风格为出发点,通过资料查阅、观察、具体的案例分析,从色彩、图案、材质、整体装饰风格等多个角度入手,探讨敦煌色彩在现代室内纺织品设计中的应用现状及如何实现当代化和时尚化,并尝试总结出一些元素间的搭配规律。

Dunhuang grotto art is the western regions and the central plains in the Buddhist cultural fusion of product after a long history,its color after several generations of Dunhuang artists and integration,and gradually formed a relatively complete system of color,not only shows the magnificent scene,Buddhist also reflected the traditional Chinese low profile and do not break romantic aesthetic feelings.Dunhuang color often appeared in the indoor textiles at that time,reflecting the aesthetic taste of Chinese style and life.Although the color of Dunhuang is beautiful,the rapid development of material culture in modern China even leads to the disconnection with spiritual culture.As a result,the color of Dunhuang is often not properly applied in contemporary interior textile design,and it is not easy to realize modernization and fashion.Therefore,this paper takes'new China style'and'postmodernism style'as the starting point.Through data consulting,observation and specific case analysis,this paper discusses the application status of Dunhuang color in modern interior textile design and how to realize the contemporaneity and fashion from the perspectives of color,pattern,material and overall decoration style,and tries to summarize the matching rules among some elements.