摘要
门神年画不但传承和表现着中国传统民俗文化,而且是亘古至今民间艺术的一个独特体现。文章以民间艺术为切入点,简要阐述了门神的起源,并从符号学角度出发,对门神艺术特征进行研究,根据门神在历史变迁中含义的转变过程,结合门神代表性符号在平面设计中的运用,探索平面设计如何更好地在继承传统的同时又与时代创新不脱节。
The door god New Year painting not only inherits and displays the Chinese traditional folk culture,but also is a unique embodiment of the ancient folk art.Based on folk art as the breakthrough point,briefly expounds the origin of the goalkeeper,and from the perspective of semiotics,through a goalkeeper art characteristics of the research,according to the goalkeeper in the history change the meaning of the transformation process,combining with the goalkeeper representative symbol in the application of graphic design,explores how to better graphic design in inherit the traditional at the same time with the era of innovation is not out of line.
作者
蓝充
王泽玉
Lan Chong;Wang Zeyu(Lanzhou Jiao Tong University,Lanzhou 730070,China)
关键词
门神年画
民间艺术
符号
平面设计
Goalkeeper pictures
folk art
symbol
graphic design