摘要
东坡杂剧在元代历史文人剧中占有突出地位,本文通过现存3部东坡剧的解读,清理了元代东坡剧所构成的颇为复杂立体的苏轼形象,揭示了其在文人话语、国家话语、民间话语三种话语结构中隐含的不同指向,以更广泛的视域审视苏轼被贬黄州这一历史事件的文化意义,揭示了元人观照历史的多元属性。
Dongpo dramas holds a high position in the historical plays of men of letters in Yuan Dynasty.By interpreting three extacts of Dongpo dramas ,this essay sorts out a considerably complicated and concrete image of Dongpo in Dongpo dramas of the Yuan Dynasty.It also distinguishes different implications between the discourse of men of letters,the discourse of the country and the discourse of the folk,by examining the cultural significance of Dongpo's being demoted to Huang Zhou with a wide field of vision.It reveals the pluralistic concept of history of the people in the Yuan Dynasty.
出处
《嘉应大学学报》
2003年第5期69-73,共5页
Journal of Jiaying University
基金
2002年福建社科B类项目
课题名称:元杂剧历史文人剧研究
项目编号:GB02195
关键词
东坡杂剧
文人话语
国家话语
民间话语
Dong po zaju
the discourse of men of letters
the discourse of the country
the discourse of the folk