摘要
《蒙古字韵》源于《新刊韵略》,应从韵书传承关系去解读该书。《蒙古字韵》的编者更重视韵书和韵图的分类。其声韵分合格局与等韵门法密切相关。如牙喉音的严别四等反映了'音和'门法的要求,喻分三、四则体现了'喻下凭切'的原则,齿音、舌音乃因遵循'正音凭切'而有'崇''重'之别,齿头音'仙、先''萧、宵'各自混并三、四等是与'振救'一门密不可分的,唇音则涉及了'轻重交互''通广''侷狭'等门法。
Menggu Ziyun(《蒙古字韵》) had inherited from Xinkan Yunlue(《新刊韵略》)only relying which we can comprehend the whole truth of this book. The writer of Menggu Ziyun had paid more attention to Middle Chinese Rhyme Dictionary and rhyme tables. The series of initials and finals in Menggu Ziyun have to do with the Rules of Divisions and Rhymes, such as the syllables which have initials of root and guttural are distinguished by the Middle Chinese four divisions, which yielding to The Rules of Divisions and Rhymes Yinhe(音和), and many puzlling phenomenon in Menggu Ziyun have brought out because of its obeying rules of divisions and rhymes.
出处
《语言学论丛》
CSSCI
2017年第2期173-201,共29页
Essays on Linguistics
基金
国家社科基金项目“元代八思巴字的推行情况及其与汉语韵书的相互影响研究”(项目编号:13BYY101)
中国博士后第四十五批面上资助项目(项目编号:20090450511)
中国社会科学院特殊学科建设项目“八思巴字学科”
关键词
《蒙古字韵》
韵图
等韵门法
Menggu Ziyun(《蒙古字韵》)
rhyme tables
the Rules of Divisions and Rhymes