书法创作应理性回归

Calligraphy Creation Should Return Rationally to its Tradition

在当前的社会环境下,以突出展览和观赏效果为目的的"展厅书法"创作获得了发展,而书家们也以此为方向,从形、色和奇等入手,在书法的视觉形式上做了大量的工作。然而,我们在追求新思想、新观念和运用新材料、新工艺时,应认识到书法是以深厚的传统文化和哲学思想为基础的,书家对书法创作应理性的回归传统,在继承传统的基础上,对现代艺术理念进行理性的分析和融通。

In the current social environment,'Exhibition Calligraphy',where showcase effects and spectacle are overly highlighted,gains such a development that has redirected calligraphers to come up with bizarre shapes,colors,and stokes to maximize the visual effects of their works.However,in the application of new ideas,new concepts,new material,and new process,we need to understand that Chinese calligraphy has its roots in the profound traditional culture and philosophy.Calligraphy creation should return rationally to its tradition.The use of modern art ideas should be made a rational development and an integral part of our calligraphic inheritance.