摘要
自1917年文学革命起,以西学东渐为背景开始的现代文学创作,随着男性主体价值观念的转变及女性意识的觉醒,在叙事层面悄然发生变化,出现了各具象征含义和符号意义的女性形象。在现代文学30年创作历程中,女性形象几乎都受到作家主体尤其是男性作家主体"眼光的过滤",承担着"启蒙与救国"主题叙事功能。自1949年起至1980年代中期,被意识形态化和主体愿景化的女性形象仍然扮演着宏大叙事的角色。随着改革开放的深入和人文主义精神困惑的1990年代到来,女性视角下的女性形象成为叙事的新焦点,就此,女性本体回归于叙事本文。
Since the 1917 Revolution,as the consequence of new development of the dominant masculine values and the awakening of the female awareness,modern Chinese literature that started with the introduction of western learning underwent barely noticeable changes in narration marked by the birth of symbolic female characters. In the 30 years of Modern Chinese Literature,female figures are 'sieved'through the masculine vision to assume the narrative function of 'enlightenment'and 'saving the country'. From 1949 to the middle of 1980 s,ideologicalized and idealized women characters are still conspicuous in grand narration. It was only with the reform and opening up of the country,and especially with the humanist perplexity of the 1990 s,female characters became the new focus of narrative stories,when the real woman comes back to narration.
出处
《玉溪师范学院学报》
2015年第10期10-16,共7页
Journal of Yuxi Normal University
基金
辽宁省社会科学规划基金项目"文学伦理学批评理论研究"(项目编号:L13DZW018)
辽宁省社会科学规划基金项目"新时期以来辽宁网络小说发展现状研究"(项目编号:L14BZW004)
关键词
文学创作
男性主体价值观
女性意识
女性形象
literary creation
dominant masculine value
female consciousness
female image
evolution