摘要
针对美国诗人弗罗斯特提出的诗歌创作理论——意义之音,本文运用文献考据法,历时梳理其出现语境,有述有评,指出该理论功能和价值在于打破规则重音,凸显节奏,刻画人物性格;其内涵不仅仅在于音义对应,也包含了话者说话的语气和情绪,还包括了基于说者与听者共同的语言背景,听者对于说者的主观经验认知。它是一个复义性概念,是现代诗的基本节奏特点。厘清"意义之音"的来龙去脉,对于正确理解弗诗本身及其他诗歌创作手法有着积极意义,同时对汉语诗歌创作也有着积极的现实意义。
As for the Sound of Sense,the poem-writing theory,put forward by Robert Frost,this paper elaborates its function,value and connotation by reference of various literatures diachronically combining with the comments subsequently.Its function and value aim to break the regular stress so as to foreground the rhythm and characters of figures in the poem.While its connotation implies not only the correspondence between the sound and sense but also the tone and emotion of the speaker and the audience’s subjectively experience cognition based on a common linguistic repertoire with the speaker.It is found that it is an ambiguous term as well as the basic rhythmic feature of modern poetry.Clarification of this term has a profound significance on comprehending Frost’s poetry and its writing skills as well as the writing of Chinese modem poem.
出处
《语言教育》
2019年第1期80-85,共6页
Language Education
基金
2019年西南民族大学中央高校基本科研业务费专项资金项目"新时代中国少数民族文学译介与传播价值增值研究"(项目编号:2019SYB16)
广东省人文社会科学重点研究基地广东外语外贸大学翻译学研究中心招标项目(项目编号:CTS201808)的阶段性研究成果