摘要
四六文与诗赋的关系、樊南文与玉溪诗的关系,一些学者曾加以注意,但未作深入研究。本文从对偶、用典、虚字、句法以及绮丽委婉、富于象征暗示、富于情韵等方面,论析二者间的深刻联系,认为唐诗吸纳其它文体之长,不断出现大的发展变化。李白、杜甫代表初盛唐诗歌,对自汉魏至六朝以来赋体成分予以融化吸收,韩愈代表中唐,把散文成分带入诗歌,促成中唐诗坛新变,李商隐则代表晚唐,以骈文入诗,开辟了又一片新天地。
People have not made a far - reaching investigation into the relation between the rhythmical prose and the poetry of Li Shangyin. The text here widely covers parallelism, allusion, form words, syntax, ornateness and symbolization in these two literary genres of Li Shangyin. The author considers that the success of the Tang poetry lies in the absorption of the strong points of other literary genres, such as Li Bai and Du Fu' s poetry merging with the prosodic prose (fu) rising since the Han Dynasty, Han Yu' s poetry with the elements of classical Chinese prose in the middle Tang Dynasty, and Li Shangyin's poetry with the rhythmical prose in the late Tang period.They all opened a new world in the Chinese literature.
出处
《文学遗产》
CSSCI
北大核心
2003年第4期62-71,共10页