摘要
《碧鸡漫志》建立了一个相对完整的理论体系,涉及到词的起源论和艺术本体论,它从哲学的宇宙生成论和主客体相分的二元论来看文艺问题,所以站在一个较高的思维起点上。王灼提出词的审美标准——性情、自然、中正、雅、韵等,并作了深入具体的探讨,从历史和逻辑的结合上为词的创作与鉴赏确立了自我的美学观念。
Bi Ji Man Zhi established a comparatively complete theoretic system concerning the origin and the ontology of Ci - poetry in view of philosophical cosmologist genesis and dualism. Wang Zhuo put forward the following esthetical criteria of Ci - poetry:human disposition, nature, a mean rule or justice, elegance and rhythm, and made some practical searches on these criteria for the purpose of creation and appreciation of Ci - poetry.
出处
《文学遗产》
CSSCI
北大核心
2003年第4期85-93,共9页
