摘要
著名美学家蒋孔阳不仅提出了创造论美学的新体系,而且在比较美学的学科建设上作出了重大贡献。他系统地阐明了建立比较美学的必要性和重要性,并从学理上阐明了比较美学研究的目的、方法和途径。经过近半个世纪的探索和实践,已取得了丰硕的学术成果,培养了一批学有所成的中青年美学家,一个新的美学学派正在形成。蒋孔阳的美学思想,自立于世纪美学之林。
The renowned aesthetician Jiang Kongyang not only advanced a new aesthetic system of theory on creation, but also made an important contribution to the construction of the discipline of comparative aesthetics. He elucidated systematically the necessity and importance of establishing comparative aesthetics and charified doctrinal expatiation upon the purpose, methodology and approaches in the research of comparative aesthetics. He obtained great scholastic achievements through half a centure's exploring and practicing, which has trained a great number of younger inheritors forming a new aesthetic school. Jiang Kongyang's aesthetic thinking stands on its own legs in the world aesthetics. It thus belongs to China as well as to the future.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2004年第1期26-30,共5页
Journal of Social Science of Hunan Normal University
关键词
比较美学
同中之异
异中之同
综合比较
新体系
新学派
comparative aesthetics
difference in similarity
similarity in difference
synthetical comparison
new system
new school