摘要
没有现代文学就没有当代文学,现代文学在建构过程中所不断滤及、遴选以及建立起来的关于文学史的规范,同样在当代文学中得到了继承。中国当代文学虽然已经建构成一个学科,形成了较为完备的知识体系,但一套相当完备的指导中国革命实践的理论,也同样是指导当代文学的理论。战争年代,一切为了战争的思想在文艺界得到了积极的回应。于是,文艺艺术从语言到形式就出现了一个如何把传统文化、外来文化和"五四"以来的新文化"转译"为革命的政治内容和通俗易懂的形式中来的问题。进入共和国后,把马克思主义的普遍真理同中国革命的具体实践相结合,并创造出适于中国革命特点的民族形式,这是毛泽东文艺思想的一大特色。文学史的"历史建构"在这一政治文化背景下有了"主流"和"非主流"的区别,"非主流"作家在不断的滤及和批判的过程中逐渐被淘汰。
There is no modern literature if there were no contemporary lierature.In the course of the forming,modern literature are filterated & selected,establishes the standard on litrary history.The standard are inherited by the contempoary literature.Though Chinese contemporary literature has formed a school subject & has shaped the complete intellectual system comparatively.A complete theory guiding the practice of Chinese revolution,which is the guiding theory of contemparary literature as well as.Under the background of political culture,the 'history form' of the literay history is divided into 'mainstream' & 'non-mainstream',the writers of 'non-mainstream' are eliminated gradually during the uninterrupted criticized course.
出处
《南都学坛(南阳师范学院人文社会科学学报)》
2004年第1期56-62,共7页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
关键词
当代文学
现代文学
文学史
政治
中国
contemporary literature
modern literature
literary history
form
politics