摘要
从接受史的角度对陶渊明的《归园田居·其一》进行研究,考察后代读者对陶诗自南北朝至清代这千年接受历程,按接受美学理论,从效果史、阐释史、影响史这三方面进行论述。陶诗并不是一开始就为人接受,这其中经历了漫长而曲折的过程,以陶渊明田园诗代表作《归园田居·其一》为例,各代的诗评家对其接受程度并不相同.而对陶诗的接受程度不同也正反映出各代文艺风气和审美趣味的不同。
In the light of 'effect history' , 'illustration history' , and 'influence history' , this article probes into the process of readers' acceptance of Tao Yuanming's poems since its appearance. With an illustration of the readers' acceptance of his poew 'Gui Tian Yuan Ju', it argues that readers' acceptance of his poems differs from time and this difference is a result of different ethos and aesthetic tastes in different times.
出处
《宁波大学学报（人文科学版）》
2003年第4期60-65,72,共7页
Journal of Ningbo University：Liberal Arts Edition
