摘要
晚清肇始、绵延至今的弹词研究,将"案头"弹词小说与"书场"弹词讲唱分而治之,是几代学者的基本选择。本文在梳理百年弹词研究史的基础上,借鉴海外民俗学界相关思路,试图思考如何加强和深入作为民间说唱文艺的书场弹词研究。以苏州评弹为个案,探索如何把握这一吴语地区主要民间娱乐形式的完整个性及对基层民众生活的影响。探求"回到现场"作为研究方向的理论可行性,兼及"案头"与"书场"研究合流的可能性。
It has been a basic method for many scholars to study for reading and Tanci for performances respectively since the late Qing Dynasty on this filed. And apparently they emphasized more on the former. On the base of previous researchs of Tanci domestic and abroad, this paper is mainly concerned on how to study the latter issue deeply and throughly, which is a literature form of folk saying and singing. After studying Suzou Pingtan as a case, the paper explores the way how to understand and grasp the integrity of Tanci and its effect on normal people, the oretical feasibility to study Tanci by means of returning to circumstances where it occurrs, and the posibility of studying Tanci for reading and for performances simultaneously.
出处
《苏州大学学报（哲学社会科学版）》
2004年第1期103-109,共7页
Journal of Soochow University(Philosophy & Social Science Edition)
关键词
弹词
案头
书场
苏州评弹
回到现场
tanci
performances
reading
Suzhou Pingtan
returning to circumstances
