摘要
本文对《红灯记》题材从电影、戏剧到钢琴伴唱电影的逻辑演进予以了历史回顾,并对其作为电影的结构性缺陷、作为戏剧的本体性开拓以及作为歌剧电影的历史地位树立,进行了比较研究,从一个个案对电影与戏剧的相互传播与影响进行了分析。
This paper takes a historical retrospection of the logical evolution of the series based on The Story of the Red Lamp, from movie to drama to movie in the form of piano - accompanied opera, and carries out a comparative study of the structural defects (as a movie), the ontological development (as a drama), and the establishment of a historical status (as an opera - film) . An analysis is made through this individual case on the mutual promulgation and influence' between movie and drama.
出处
《南京师范大学文学院学报》
2003年第4期56-64,共9页
Journal of School of Chinese Language and Culture Nanjing Normal University