新时期以来中国电影综述

A Summery of Chinese Movies in the New Era

新时期以来的中国电影,由于创作者主体意识的觉醒与张扬,无论在创作理念、叙事手段或电影语言的运用上,都体现了对传统电影的背离与决裂,完成了由传统向现代的突围与跨越。无论是八十年代探索创新的影像美学时期的影片,或九十年代多元并存的自由美学阶段的作品,都以一种新的精神风貌和姿态样式步入国际影坛,实现了中国电影的世界之旅。

Owing to the awakening and displaying of the subjective sense of the creator, Chinese movies in the new era have, whether in concept of creation, means of narration, or film language, all shown a betrayal of and breakaway from traditional movies, and realized a breakthrough in leaping from the tradition to the modern. Either experimental and innovative movies at the image - aesthetic stage in the 1980s or those at the liberal - aesthetic stage in the 1990s when multiple phenomena co - exist, both stride onto the international film arena with a fresh spiritual bearing and posture, thus realizing a world trip of Chinese movies.