20世纪40年代与“纯诗”的综合化

Synthesization of "Pure Poetry" and the 1940s

“纯诗”的综合发展是中国新诗发展史的一条主线。这种传统从20世纪20年代“纯诗”首倡之时即已建立,到40年代表现得更加自觉和明显。以袁可嘉、唐湜为代表的“中国新诗”派明确强调建立平衡的诗歌美学特征,在诗歌主题内容方面采取宽容综合的态度,试图建立纯诗的“高度综合的性质”和“现实、象征、玄学的新的综合传统”,走出了一条更具民族性和现实性的“纯诗化”道路。

The comprehensive development of 'pure poetry' is a main route in the history of Chinese new poetry. Such a tradition was already established in the 1920s when 'pure poetry' was first advocated, and by the 1940s it became all the more self - conscious and remarkable. ' China' s New Poetry' School represented by Yuan Kejia and Tang Shi definitely emphasizes the establishment of balanced aesthetic features of poetry, takes a tolerant and synthesizing attitude in terms of themes and contents, with an intention of setting up the ' highly synthesizing character' of pure poetry and ' a new synthesizing tradition of realism, symbolism and metaphysics,' so that a more national and realistic way of 'purifying poetry' is found.