摘要
本文从中国绘画时空观的角度出发,探究中国绘画时空图式对庞德诗学思想的影响。从最初运用画面的散点透视原则,到中期关注围绕心灵映射形成的心理时空,再到后期转向讨论社会层面的和谐与秩序。在这一过程中,庞德不仅将中国绘画空间的时间性引入到其诗歌创作中,对意象派诗歌理论发表了真知灼见,还以中国绘画的时空观为跳板,追根溯源,发现了其根植的中国传统文化,表现出中国道家美学和儒家秩序论的影响。中国文化为庞德诗学体系的构建输入了有益的给养,从而帮助其改革了传统的英美诗歌,使之成为东西方文化交流的典范。
The article explores the influence of space-time paradigm in Chinese painting on Pound’s poetics.From application of cavalier perspective to focusing on spiritual space and social order,Pound not only introduces the concept of time in Chinese painting to his poetic art and expresses his understanding on Imagism,but also traces the root of Chinese traditional culture and finds Taoist aesthetics and Confucian ethics.Pound has an inspiration from Chinese culture,which produces a great impact on English and American poetry.He sets an example for promoting cultural communication between East and West in his practice.
出处
《中国比较文学》
CSSCI
北大核心
2019年第2期72-85,共14页
Comparative Literature in China
基金
国家社科基金重大项目"20世纪西方文论中的中国问题研究"(编号16ZDA194)的阶段性成果
关键词
庞德
中国绘画时空观
散点透视
心理时空
社会秩序
Pound
space-time view in Chinese painting
cavalier perspective
spiritual space
social order