摘要
先秦儒家音乐美学是儒家礼乐美学的重要组成部分,其要义是强调礼乐的动态平衡和互补。以此为背景,先秦儒家在'道'与'欲'、'动'与'静'、'雅'与'俗'等各个层面展开了儒家音乐美学思想的理论建构,提出了以礼节欲、以礼制动和由礼则雅的针对性命题。这就是先秦儒家音乐美学思想中的'以礼正乐'观。'以礼正乐'成为先秦儒家音乐美学最重要的思想主张。
Music aesthetics of Pre-qin dynasty is an important part of Confucian ritual and music aesthetics,and its essence is to emphasize the dynamic balance and complementarity of ritual and music.Based on this background,the Confucian of Pre-qin dynasty starts its theoretical construction of Confucian music aesthetics thoughts in different aspects like the'Dao'(Morality)and'Yu'(Desire),'Dong'(Motion)and'Jing'(Motionlessness),the'Ya'(Elegance)and'Su'(Vulgarness),and so on,and further puts forward the specific proposition that desire should be imbed by etiquette(Yi Li Jie Yu),motion should be controlled by etiquette(Yi Li Zhi Dong),and elegance is manifested through etiquette(You Li Ze Ya).This is the concept of'using etiquette to correct music'(Yi Li Zheng Yue)in Confucian music aesthetics of Pre-qin Dynasty,which has become the most important ideological proposition of Confucian music aesthetics of Pre-qin Dynasty.
