摘要
醴陵沩山窑的陶瓷"涂鸦"绘画装饰手法作为民国时期陶瓷培训与探索过程中的产物,不但具有开创性、实验性,还蕴藏着超越时代的文化意义,对当代陶瓷装饰绘画"创新而不够新"现状具有深刻启示意义。
weishan liling kiln ceramic painting adornment gimmick 'graffiti' as in the process of training and exploration during the period of the republic of China ceramic products, not only have innovative, experimental, also contain is worn beyond the cultural significance of The Times, to contemporary ceramic decoration painting innovation and not 'new' phenomenon has the profound significance.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2014年第7期95-98,共4页
China Ceramics
基金
2011年度湖南省教育厅教改研究项目(湘教通[2011]315号)
2013年度湖南工业大学人文社科项目(2013HSX17)
关键词
醴陵窑
涂鸦
陶瓷装饰
Liling kiln
graffiti
ceramic decoration
