粉彩瓷装饰的创新

On the Innovation of the Decoration of Famille Rose

粉彩瓷自康熙晚期初创之始,经历百余年的宫廷化审美风范的发展,在清末民初由浅绛彩引领、"珠山八友"继而的发展,使得具有宫廷化审美意趣的粉彩瓷开始从纹样装饰朝着中国绘画的风格、内容和形式的方向发展,并且对日后的景德镇产生深厚的影响。这是第一次粉彩瓷在风格、内容和形式上的大转变。然而,在艺术形式日渐多元化发展的今天,粉彩瓷已面临又一次的变化期,由过去单一的中国绘画式的审美模式正朝着多元化的方向发展着,探索创新之路成为一种必然趋势。

Famille rose porcelain was created in the late Kangxi Reign of the Qing Dynasty and had gone through royal aesthetic trends for more than one hundred years. At the end of the Qing Dynasty and the beginning of the Republic of China, famille rose turned into Qianjiangcai with the heritage of 'Eight Ceramic Masters of Zhushan', which led the royal aesthetics to the traditional Chinese paintings in style, contents and form. This had profound influence on Jingdezhen's ceramic arts afterwards. This was the first time that famille rose had experienced significant changes in styles, content and form. Currently, famille rose arts are facing another change when artistic forms are being more diversified. The single Chinese painting aesthetics are developing toward diversification. Innovation is an inevitable trend.