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明天启民窑青花的文质彬彬 被引量:1

On the Elegance of Blue and White in Folk Kilns during the Period of Tianqi in the Ming Dynasty(1621-1627)
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摘要 中国民窑青花,主要指生产于民间,为民所用的青花器物的总称,从唐代开始已经有了民窑青花的记载。其所具有的"文质彬彬"的气质被后人所称颂。明代是民窑青花发展的关键期,天启青花便是这一时段的典型之作,具有内容和形式的高度统一。尽显天时地利,适时造物,适者造物之妙。既真实反映事物的本质,又彰显时代文明。它是现代青花艺术发展的沃土,能够生发出更多的营养供于其成长。我国的陶瓷文化绚烂而悠久,是值得思考和借鉴的优秀资源。古为今用,本文通过对具有典型时代特色的天启民窑青花"文质彬彬"的理解与分析,探寻现代青花艺术更为蓬勃的发展路径。 Chinese blue and white porcelain in folk kiln is an utensils of being applied in common people, it was firstly discovered in the Tang dynasty. The feature of it was the unity of content and form that are commended to modern people. The blue and white in the reavealed years(1621-1627) is an typical of the unity of form and comment in folk kiln implements of Ming dynasty. The pivotal period of folk kiln's development is in Ming dynasty. It has the main function of showing folklife and showing itself culture. Historical resources are vital to the development of modern art. China has a headstream of china, that has being abundant of ceramic culture. Through the analysis of the folk blue and white in the reavealed years(1621-1627), achieve the purpose of making the past serve the present.
出处 《中国陶瓷》 CAS CSCD 北大核心 2014年第12期116-119,共4页 China Ceramics
基金 2014年度江西高校人文社会科学项目(YS1423)
关键词 民窑 青花 文质 彬彬 Folk kiln Blue and white The unity of content and form
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