当代古彩创新表现模式的符号学视角分析

Analysis in the Semiotics Perspective of Contemporary Antique Color Innovative Performance Style

当代陶瓷绘画正经历一场跨时代意义的变革,具有浓重工艺色彩的古彩绘画亦然。然而,由于工艺、材质等固有属性的特殊性,使得古彩在当代的创新面貌不同于青花、陶艺等这些表现载体的开放式发展,而是呈现一种碎片式、模块化的特点。也正由于此,古彩的创新是相对保守的,在变革的进程中亦步亦趋。论文尝试以符号学的研究视角来分析当代古彩的创新表现模式,从而对这一变革形式作宏观性、综合性的阐释。

Contemporary ceramic painting is experiencing a cross time significance of change, has a strong color of the ancient color painting process and vice versa. However, because of the particularity of technology, materials and other inherent properties, which makes the ancient color open development of different Yu Qinghua, pottery etc. these expression vectors in the contemporary innovation appearance, but feature a fragmented, modular. Also because of this, innovation of ancient color is relatively conservative, picked up the pace in the transformation process. This paper tries to study from the perspective of semiotics to analyze contemporary ancient color innovation performance mode, so as to make macroscopic and comprehensive interpretation of this change form.