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解读“对偶” 被引量:2

Interpretation of "Antithesis
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摘要 对偶是唐代格律论中颇富创造性的美学范畴。对偶是一种整合。对偶是指在文本领域内,将两种或多种相对存在的成分整合为一的过程。声对即通过字音进行意象融构的过程。义对即借助字义生成整一的文本结构的过程。对偶的法则:均衡、融构、循环、生成,昭示着整个现实世界、道之世界以及艺术世界的全部秘密。 Antithesis is the most creative aesthetic category in theories on poetry rules and regulations of the Tang Dynasty. Antithesis is some kind of incorporation that refers to the process of incorporating two or more opposing elements in the text into one. Phonetic antihesis is the process of image incorporation through pronunciation of words, while semantic antithesis is the process of incorporation of textual structure through meanings of words. Rules and regulations of antithesis include balance, incorporation, circulation, and creation, all of which reveal each and every secret of the realistic world, the Taoist world, and the world of art.
作者 王耘
机构地区 复旦大学中文系
出处 《南京师范大学文学院学报》 2003年第3期114-118,共5页 Journal of School of Chinese Language and Culture Nanjing Normal University
关键词 对偶 唐朝 格律论 声对 义对 整合 美学 antithesis, phonetic antithesis, semantic antithesis
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  • 1(日)遍照金刚.文镜秘府论[M]人民文学出版社,1975.

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