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宋代参军戏考辨 被引量:2

A Research Analysis on the "Canjun"Drama in the Song Dynasty
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摘要 本文从历史文献出发,结合今人研究成果,试图澄清三个问题:一、参军戏始于何时以及早期“弄参军”之“参军”与宋代参军戏之参军有何联系;二、苍鹘的身份及表演的问题;三、宋代的参军戏中有没有“苍鹘”,击打是否宋代参军戏的特征。在此基础上,笔者试图勾勒出宋代参军戏的历史真貌。 This paper starts from historical literature and combined contemporary research achievements in an attempt to clarify three questions: 1. When did the 'Canjun'Drama begin and what was the relationship between the 'Canjun' of the earlier 'Teasing Canjun'and the 'Canjun'in the 'Canjun'Drama. 2. The identify of 'Canjun'and its performance. 3. Whether there was 'Canghu'in the Song' Canjun 'Drama, in addition, whether' assault 'was the characteristic of the Song 'Canjun 'Drama. Based on these, the author tries to give a brief account of the true of the Song' Canjun' Drama.
作者 曾凡安
机构地区 中山大学中文系
出处 《艺术百家》 北大核心 2003年第3期38-42,共5页 Hundred Schools In Arts
关键词 参军戏 参军 苍鹘 击打 表演特征 Canjun' Drama ' Canjun' ' Canghu' Assault Performance characteristics
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参考文献4

  • 1(宋)陆游撰,孔凡礼.西溪丛语[M]中华书局,1993.
  • 2(宋)宋司光编著,(元)胡三省音.资治通鉴[M]上海古籍出版社,1987.
  • 3(宋)罗大经 撰,王瑞来.鹤林玉露[M]中华书局,1983.
  • 4(宋)岳珂撰,吴企明.桯史[M]中华书局,1981.

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