莫言长篇小说叙事与女性化思维之隐在关系论

A Study on the Relation between the Narration of Mo Yan's Full-length Novels and His Feminized Thoughts

莫言长篇小说的叙述方式在中国当代先锋小说创作中别具一格,主要体现在其借鉴了中国古代绘画的散点透视法,并结合了幻想式心理分析方式和齐文化中的鬼神信仰叙事,这样就增强了其长篇小说既丰富又独特的叙述张力。这种以散点透视为核心的多维叙述方式与中国思维方式的女性化有着隐秘的内在关系。这是莫言长篇小说叙述的美学特点,符合现代小说艺术的发展趋势,值得进一步探讨。

The narration mode of Mo Yan's full- length novels is quite unique among those in the contemporary vanguard novels in China,because it employs the cavalier perspective in the painting in ancient China with the means of imaginary psychoanalysis,and it utilizes the narration mode under the belief of the supernatural beings in Qi Culture of ancient China. As a result,the unique and colorful narration mode in his full-length novels comes into being. This multi- dimensional narration mode with the cavalier perspective as the core connects with the feminization in Chinese- style thoughts in a secret and internal way. This aesthetic characteristic in the narration mode of Mo Yan's full- length novels conform to the development tendency of the art of novel,which is worth being discussed a lot.