女性主义视野下莫言小说中的女性形象研究

The Study of Female Images in Mo Yan's Novels

莫言从乡村出发,谱写了众多乡土中国、民间中国的华章;莫言小说中女性世界的欢乐和苦难,表达了他对乡土中国、民间中国的深切关怀,以及对大地、故土和母亲的深情感念。故乡是莫言创作的原动力,他从故乡的原始经验出发,描摹书写的女性既素朴又绚丽。莫言笔下,没有人为的等级划分,也没有超人的道德审判,所有的女性形象都在人性的范畴内,被一种女性主义、人道主义的光辉所笼罩,她们是作家心目中想象的审美视野中的偶像。

Mo Yan always writes from the perspective of countryside,describing a local China and folk China.The jollification and tribulation of the female world in his novels show his solicitude for folk China and China's countryside. His creative impulsion comes from his mother,the earth and his homeland. Starting from what he experienced in his hometown,he describes multi-colored women. There are no social class division and inhumane moral justice in his works. These portrayals are bathed in the brilliance of humanism and feminism. They are aesthetic idols in Mo Yan's imaginary world.