历史叙事的血肉标记——莫言小说女性身体的多重表义功能

The Bloody Signs of Historical Narrative——The Multiple Significance of Female Bodies in Mo Yan's Novels

莫言承袭司马迁"客观精神的文学"与"浪漫精神的历史"之传统,以女性的身体为历史叙事的血肉标记,讲述被正史遮蔽的民间历史传奇,以象征性的寓言方式连缀起晚清至当下"中国的缩影"与"世界历史的片段"。家族史与稗官野史使他在整合的大历史与离散的地方志两种理性时间形式中,容纳了非理性的民间历史记忆;历史性感的基本视点,使倒叙法的历史叙事最终转变为抵抗历史的逃离,历史的窥视者也成为历史的祭祀者。

Mo Yan inherits Sima Qian's tradition of 'objective literature'and 'romantic history'. He takes the female body as the flesh and blood of historical narrative which tells a history of the folk legend covered with official history. His narrative depicts the myth of China from late Qing Dynasty to the present day,which is regarded as a miniature of China and significant fragment of world history. This myth reveals the irrational folk memory by combining real family history with scattered non-official historical narratives. The perspective of historical sensibility transforms the narrative technique of flashback into a powerful resistance against history,and the peepers into victims.